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Not Just Another Pretty Face - Alternative Self Portraits

Your final assignment for SA 111 will turn the lens onto you! 1. There are three parts to this assignment 2. Each one should be fully developed to the best of the student's ability  3. Your drawings should illustrate advancement in your skill throughout the semester 4. Your drawings should also illustrate creative activity, excellent time management, evolution of the assignment fully displayed in your sketchbook and full engagement on your part Part ONE In your Sketchbooks Graphite on paper compose your eye, nose, mouth - Capture the values of the surrounding area - Use a full value range - Make use of your pencil marks following a planar analysis of each of your features - Remember each feature is surround by an area of your face - Your drawings should be larger than life-size Part TWO Graphite Watercolor Paper A patterned piece of paper (origami/wrapping paper) or fabric - Make use of a handheld mirror as your viewfinder - Compos
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Color in Context: Towards Psychological Expression

c o l o r   a l w a y s   in   C O N T E X T   considerations towards final project Egon Schiele Egon Schiele Egon Schiele Edward Munch Self Portrait Edward Munch Self Portrait Edward Munch Edward Munch Edward Munch Henri Matisse Henri Matisse Vincent van Gogh Vincent van Gogh Jean-Édouard  Vuillard   Jean-Édouard  Vuillard Alice Neel   Alice Neel Alice Neel Self Portrait Student Work